Books : Three Gothic Novels: The Castle of Otranto; Vathek; Frankenstein
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 : Three Gothic Novels: The Castle of Otranto; Vathek; Frankenstein
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Three Gothic Novels: The Castle of Otranto; Vathek; Frankenstein
by: Horace Walpole, William Beckford, Mary Shelley

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Binding: Paperback
Dewey Decimal Number: 823.708016
EAN: 9780140430363
ISBN: 0140430369
Label: Penguin Classics
Manufacturer: Penguin Classics
Number Of Items: 1
Number Of Pages: 512
Publication Date: December 30, 1968
Publisher: Penguin Classics
Sales Rank: 222406
Studio: Penguin Classics




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Editorial Review:

Product Description:
The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: 'The Castle of Otranto', published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. 'Vathek' (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of 'Frankenstein' (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.



Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Early Gothic Novels by Walpole, Beckford, and Polidori
I was new to the Gothic genre when I first encountered this Dover publication some years ago. At that time I considered the plot for The Castle of Otranto (1764) by Horace Walpole to be farfetched, almost ludicrous. The mystical Oriental tale, Vathek (1782), by William Beckford seemed endless. Only the short story titled The Vampyre (1819, by John Polidori) met my expectations.

My opinion today is quite different. I have gradually become familiar with Gothic literature, and I now appreciate just how innovative these three stories were, and to how great an extent these tales influenced later writers. I give four stars to this collection.

The eighteenth century was clearly a period of philosophical and scientific progress. And yet, many readers were immediately intrigued and entertained by the supernatural, bizarre elements in The Castle of Otranto. Hundreds of authors subsequently imitated ... Read More



Rating: 5 out of 5 stars - Gothick Terror, Oriental Decadence, Romantic Vampyres...
This volume is an excellent introduction to four
works of the Gothic mindset, which hit England at
the end of the 1700s and lasted on into the early
Romantic period, all the way up to the late decadence
of the 1890s, winding up in Robert Louis Stevenson's
THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE (1886),
Oscar Wilde's THE PICTURE OF DORIAN GRAY (1891), and
Bram Stoker's DRACULA (1897).
These are four of the earliest of this Gothic genre.
The volume includes Horace Walpole's THE CASTLE OF
OTRANTO (Christmas Eve, 1764); William Beckford's
VATHEK (1786); John Polidori's VAMPYRE (1819); and
a Vampire Fragment by Lord Byron (1819), "which was
published at the end of MAZEPPA in 1819."
The list of Gothic NOVELS (rather than stories)
in chronological order which make the grade are:
Horace Walpole's CASTLE OF OTRANTO (1764), Clara
Reeve's ... Read More



Rating: 4 out of 5 stars - A great primer for those interested in early Gothic fiction
This is a fabulous collection representing the beginning of Gothic fiction. Otronto is the very first such work, and is a perfect illustration of the basic themes and plotlines predominant in Gothic. Although not the most polished work of fiction, it's often so bad it's funny, and definitely worth reading. The other stories are much more professional, albeit a bit drier reading. I'm especially fond of Vathek, as it more clearly represents fear fiction as it was to become. Dr. Polidori's piece is particularly intersting as he was a physician and present at the famous ghost-story-telling session(s) of Byron and the Shelley couple.

On the whole, this collection is the ideal glimpse into the genre at its rudimentary level.




 

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